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HIS 227 and
PSC 227
POWER
AND AUTHORITY IN
NONWESTERN
SOCIETIES
THE
EXERCISE OF POWER AND AUTHORITY IN JAPANESE CULTURE
ESSAY
ASSIGNMENT TWO
(due Wednesday, March 19, 2003)
For this assignment,
focus your attention on the various manifestations of “soft
power” and “authority” discussed in the past several
weeks in that portion of the course devoted to the study of various
aspects of Japanese culture and civilization.
As you organize
your thoughts into a coherent analytical narrative, keep in mind
the following expectations: in your essay you should demonstrate
and document --
-
an ability to define appropriately and apply the various concepts
introduced in the initial portion of the course (hard power / soft
power / authority / influence, modernization / westernization /
tradition, gemeinschaft / gesselschaft, western / nonwestern / third
world) to an analysis of a specific aspect of Japanese life and
culture with reference to issues around the subject of the uses
of “power” and “authority” in nonwestern
societies.
Ask yourself
the following question: “Does this essay show I can thoughtfully
analyze (not merely describe) with insight and understanding some
specific aspect (or aspects) of “power” and / or “authority”
operating within Japanese society and culture?”
- completion of
the assigned reading for this portion of the course (and those preceding
in the introductory section, as needed) through specific references
and concrete examples and illustrations drawn directly from this material
(as noted in accompanying annotation).
Ask yourself
the following question: “In reading this analysis, will the
grading instructor know (through specific references contained in
the essay and the accompanying bibliography of sources cited) that
I have completed and understood the assigned reading for the course?”
- understanding
and comprehension of the various ideas covered in class around the
issues discussed in your analysis (again, as specifically documented
in your accompanying annotation).
Ask yourself the
following question: “Does this essay show I have attended class,
paid attention and understood what was being conveyed in these discussions
and presentations?”
With these criteria
in mind, you are free to develop your analysis in any manner you choose.
The following paragraphs discuss various approaches you might consider.
If, after reading through them, you still are uncertain about how best
to proceed, speak with the instructor (Professor Makela, not Dr. Charlick)
for some additional help and guidance.
- How
does traditional Japanese poetry gain the influence this literary
form eventually possesses? How does this process illustrate the impact
of “change and development over time within a cultural tradition”
that serves to define an aspect of “modernization” at
work within the context of very early Japanese history? In what ways
does this process contribute to the emergence of a gemeinschaft
cultural orientation in Japan?
Does the “soft
power” and “authority” thereby gained by the Japanese
poetic tradition remain forever unchallenged, imposing itself successfully
thereafter on a reluctant population, or is this “authority”
eventually challenged and subverted by the “modernization”
process at work? Does “westernization: play a role here?
- In what specific
ways are characteristics of the cultural "soft power" and
"authority" later to be granted The Tale of Genji
itself (as a culturally-significant work of literature and source
of cultural metaphor, allusion and symbolism) prefigured within the
novel itself (as evidenced in the assigned reading "Evening Faces")?
That is, in what
ways is the cultural basis for the use of The Tale of Genji
as a significant resource of cultural "soft power" and "authority"
found to be already in existence at the time the original novel itself
was written?
- Over the centuries
which follow how is the "power" and "authority"
initially gained by The Tale of Genji "modernized --
that is, enlarged, changed and challenged -- in specific works of
art from later historical epochs while still maintaining its original
"power" and "authority" as a work of literature?
How do these later
works of art reflect the "power" and "authority"
vested in mitate traditions? How do these mitate references work to
maintain the cultural “soft power” and “authority”
vested in tradition yet also allow variations and new ingredients
to be incorporated commenting on or reflecting issues of more immediate
concern to the creating artist?
- How is “modernization”
and “westernization” reflected today in the poetry of
Tawara Machi (as evidenced in the assigned examples of her poetry)
and the woodblock prints of Masami Teraoka to make use of accepted
sources of traditional cultural "soft power" and "authority"
to advance new ideas or initiate a more contemporary manifestation
of traditional values and voices?
Comment on ways
in which you see the influence of the cultural power and authority
of past tradition present in these works and ways in which these artists
use this traditional power and authority to convey very contemporary
artistic intentions.
- At the beginning
of this unit of study we explored examples of contemporary Japanese
culture at work influencing (particularly) various aspects of American
popular culture; we also examined the ways in which American influences
are being absorbed into contemporary Japanese life. How do these examples
of Japanese “soft power” reflect aspects of traditional
cultural authority? That is, how does the current success enjoyed
by Japanese influences at work on the American cultural scene and
the Japanese ability to adapt and modify American influences before
they become incorporated into contemporary Japanese popular culture
reflect the strength of inherent Japanese cultural authority as developed
over the preceding centuries?
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