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syllabus password-protected
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HIS 272H,
COURSE
SCHEDULE TUESDAY,
JANUARY 15, 2008 - TUESDAY, JANUARY 22, 2008 (THREE SESSIONS): The organization of the course, its goals and objectives, assignments and expectations will be determined. Terms and concepts, themes and analytical perspectives key to success in the course will be addressed. Students will begin to explore defining aspects of traditional and modern Japanese society and culture and to define potential research topics and available resources. THURSDAY,
JANUARY 24, 2008 - THURSDAY, FEBRUARY 7, 2008 (FIVE SESSIONS): The
transformation of prehistoric economic and social life, the emergence of a
centralized political state, literary and aesthetic influences on aristocratic
culture and the growth of Buddhist religious practices and influences. TUEESDAY,
FEBRUARY 12, 2008 - THURSDAY, FEBRUARY 28, 2008 (SIX SESSIONS): The introduction and fate
of modern Western systems and institutions -- political, economic and
military; the whys and wherefores behind the adoption and adaptation of
Western cultural patterns, habits and customs; the role of Western
individuals in the acceleration of Japan's modern transformation in military affairs,
science, architecture, economics, medicine and education. Students will be asked to examine the process through which an element of Western civilization is integrated into modern Japanese life through an extended journal entry, a short (3 5 pages) analytical essay or a ten minute classroom presentation. The journal entry / essay / presentation will be evaluated on the strength of its underlying research and its analytical and evaluative insights. (journal evaluated on a satisfactory / unsatisfactory basis - 10% of final course grade; essay graded on A F scale 20% of final grade; presentation will be graded a satisfactory / unsatisfactory basis - 10% of final course grade) TUESDAY,
MARCH 4, 2008 - TUESDAY, MARCH 25, 2008 (FIVE SESSIONS): The Japanese impact on
Impressionism, Art Nouveau and the English Arts and Crafts movement; catering to Western expectations: Japanese "Occcidentalism"; creating an aesthetic image in the
popular imagination -- Sadayakko, Madame Butterfly
and "The Mikado". In this section of the
course, each student will investigate the impact on Western culture of some
aspect of either the actual Japanese aesthetic tradition or the Western image
of Things Japanese as evidenced in early twentieth century European and/or
American life, individually presenting findings and analysis there of in the form
of an extended journal entry, a short (3 5 page) analytical essay or as
part of a panel presentation (dealing with the Japanese impact on
Impressionism, Art Nouveau and/or the English Arts and Crafts movement). (journal
evaluated on a satisfactory / unsatisfactory basis - 10% of final course grade;
essay graded on A F scale 20% of final grade; panel presentation will be
evaluated on a satisfactory / unsatisfactory basis - 10% of final course
grade) Students will also participate in a graded class discussion on the emergence of Japanese "Occidentalism" derived from reading Lesley Downers Madame Sadayakko: The Geisha Who Bewitched the West or preparing a short analysis (3 5 pages) of this topic as evidenced by Sadayako, Madame Butterfly and "The Mikado". (essay graded on A F scale 20% of final grade; group discussion will be graded on satisfactory / unsatisfactory basis 10% of final grade) THURSDAY,
MARCH 27, 2008 - THURSDAY, APRIL 3, 2008 (THREE SESSIONS): The class will be divided
into two groups, one assigned to examine the rise of militarism in TUESDAY,
APRIL 8, 2008 (ONE SESSION): An instructor-led
analytical and interpretive discussion of Christina Klein’s Cold War Orientalism: Asia in the Middlebrow
Imagination, 1945 – 1961 ( THURSDAY,
APRIL 10, 2008 - THURSDAY, APRIL 24, 2008 (FIVE SESSIONS): Individual student
explorations of a specific illustration of expanding Japanese “soft
power” influences (as defined and illustrated by the instructor) at
work in a global setting will be undertaken, focusing on examples drawn from
contemporary popular culture around the world. A classroom discussion of
these examples will be followed by a consideration of the impact of these
popular cultural influences on the global scene and within TUESDAY,
APRIL 29, 2008 - THURSDAY, MAY 1, 2008 (TWO SESSIONS): The applicability of
insights gained as applied to American culture and civilization will also be
explored in class discussions. |
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This site has been prepared by Lee A. Makela for the use of students at Cleveland State University, Cleveland, Ohio, USA, who are enrolled in the Honors Program course, HIS 272H, Cultural Interactions: Japan during the Spring Semester of the 2007 - 2008 Academic Year; please contact him with any comments by email at l.makela@csuohio.edu.
last revised: January 15, 2008