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HIS 227 and
PSC 227,
POWER
AND AUTHORITY IN
NONWESTERN
SOCIETIES
ESSAY
ASSIGNMENT THREE
(due Friday, April 22, 2005)
THE
EXERCISE OF POWER AND AUTHORITY IN JAPANESE CULTURE
For this assignment,
focus your attention on the various manifestations of “soft power”
and “authority” discussed in the past several weeks in that
portion of the course devoted to the study of various aspects of Japanese
culture and civilization.
As you organize
your thoughts into a coherent analytical narrative, keep in mind the
following expectations: in your essay you should demonstrate and document
--
- an ability to
define appropriately and apply the various concepts introduced in
the initial portion of the course (hard power / soft power / authority
/ influence, modernization / westernization / tradition, gemeinschaft
/ gesellschaft, western / nonwestern / third world) to an
analysis of a specific aspect of Japanese life and culture with reference
to issues around the subject of the uses of “power” and
“authority” in nonwestern societies.
Ask yourself the
following question: “Does this essay show I can thoughtfully
analyze (not merely describe) with insight and understanding some
specific aspect (or aspects) of “power” and / or “authority”
operating within Japanese society and culture?”
- completion of
the assigned reading for this portion of the course (and those preceding
in the introductory section, as needed) through specific references
and concrete examples and illustrations drawn directly from this material
(as noted in accompanying annotation).
Ask yourself the
following question: “In reading this analysis, will the grading
instructor know (through specific references contained in the essay
and the accompanying bibliography of sources cited) that I have completed
and understood the assigned reading for the course?”
- understanding
and comprehension of the various ideas covered in class around the
issues discussed in your analysis (again, as specifically documented
in your accompanying annotation).
Ask yourself the
following question: “Does this essay show I have attended class,
paid attention and understood what was being conveyed in these discussions
and presentations?”
With these criteria
in mind, you are free to develop your analysis in any manner you choose.
The following paragraphs discuss various approaches you might consider.
If, after reading through them, you still are uncertain about how best
to proceed, speak with the instructor (Professor Makela, not Dr. Tan)
for some additional help and guidance.
- How does traditional
Japanese poetry gain the influence this literary form eventually possesses?
How does this process illustrate the impact of “change and development
over time within a cultural tradition” that serves to define
an aspect of “modernization” at work within the context
of very early Japanese history? In what ways does this process contribute
to the emergence of a gemeinschaft cultural orientation in
Japan?
Does the “soft
power” and “authority” thereby gained by the Japanese
poetic tradition remain forever unchallenged, imposing itself successfully
thereafter on a reluctant population, or is this “authority”
eventually challenged and subverted by the “modernization”
process at work? Does “westernization: play a role here?
- In what specific
ways are characteristics of the cultural "soft power" and
"authority" later to be granted The Tale of Genji
itself (as a culturally-significant work of literature and source
of cultural metaphor, allusion and symbolism) prefigured within the
novel itself (as evidenced in the assigned reading "Evening Faces")?
That is, in what
ways is the cultural basis for the use of The Tale of Genji
as a significant resource of cultural "soft power" and "authority"
found to be already in existence at the time the original novel itself
was written?
- Over the centuries
which follow how is the "power" and "authority"
initially gained by The Tale of Genji "modernized --
that is, enlarged, changed and challenged -- in specific works of
art from later historical epochs while still maintaining its original
"power" and "authority" as a work of literature?
How do these later
works of art reflect the "power" and "authority"
vested in mitate traditions? How do these mitate
references work to maintain the cultural “soft power”
and “authority” vested in tradition yet also allow variations
and new ingredients to be incorporated commenting on or reflecting
issues of more immediate concern to the creating artist?
- How is “modernization”
and “westernization” reflected today in the poetry of
Tawara Machi (as evidenced in the assigned examples of her poetry)
and the woodblock prints of Masami Teraoka to make use of accepted
sources of traditional cultural "soft power" and "authority"
to advance new ideas or initiate a more contemporary manifestation
of traditional values and voices?
Comment on ways
in which you see the influence of the cultural power and authority
of past tradition present in these works and ways in which these artists
use this traditional power and authority to convey very contemporary
artistic intentions.
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