{"id":97,"date":"2025-01-02T00:57:53","date_gmt":"2025-01-02T00:57:53","guid":{"rendered":"https:\/\/academic.csuohio.edu\/kneuendorf\/?page_id=97"},"modified":"2025-01-06T13:44:33","modified_gmt":"2025-01-06T13:44:33","slug":"gilesvitae-gilesvitae-pdf","status":"publish","type":"page","link":"https:\/\/academic.csuohio.edu\/kneuendorf\/gilesvitae-gilesvitae-pdf\/","title":{"rendered":"GilesVitae\/GilesVitae"},"content":{"rendered":"\n

Dennis Giles, Ph.D.<\/h2>\n\n\n\n

DOB June 20, 1944; DOD December 22, 1989
Dennis Giles Obituary, 1990<\/a><\/p>\n\n\n\n


CURRICULUM VITAE<\/strong>
Associate Professor
Department of Communication
Cleveland State University
Cleveland, OH 44115
<\/p>\n\n\n\n

EDUCATION<\/strong>
1972: M.S., Radio, TV, & Film, University of Texas-Austin
1976: Ph.D., Film, Northwestern University (Dissertation: The retrieve: A theory of narrative structure with application to film<\/em>)<\/p>\n\n\n\n

BOOK CHAPTERS<\/strong><\/p>\n\n\n\n

Giles, Dennis. (1977).<\/a> Pornographic space: The other place. In Film: Historical-theoretical speculations: The 1977 film studies annual: Part two <\/em>(pp. 52-66). Pleasantville, NY: Redgrave.
<\/p>\n\n\n\n

Giles, Dennis. (1981).<\/a> Show-making. In Rick Altman (Ed.), Genre: The musical <\/em>(pp. 85-101). London: Routledge & Kegan Paul\/British Film Institute.
<\/p>\n\n\n\n

Giles, Dennis. (1985).<\/a> A structural analysis of the police story. In Stuart M. Kaminsky & Jeffrey H. Mahan (Eds.), American television genres<\/em> (pp. 67-84). Chicago, IL: Nelson-Hall.
<\/p>\n\n\n\n

Giles, Dennis, & Jackson-Beeck, Marilyn. (1985).<\/a> Television, the evil eye. In Stuart M. Kaminsky & Jeffrey H. Mahan (Eds.), American television genres<\/em> (pp. 191-202). Chicago, IL: Nelson-Hall.
<\/p>\n\n\n\n

Giles, Dennis. (2004).<\/a> Conditions of pleasure in horror cinema. In Barry Keith Grant & Christopher Sharrett (Eds.), Planks of reason: Essays on the horror film<\/em> (Revised edition, pp. 36-49). Lanham, MD: The Scarecrow Press, Inc.<\/p>\n\n\n\n

JOURNAL ARTICLES<\/strong><\/p>\n\n\n\n

Giles, Dennis. (1966).<\/a> The Tao in Woman in the Dunes<\/em>. Film Heritage<\/em>, 1<\/em>(3), 23-28.<\/p>\n\n\n\n

Giles, Dennis. (1975).<\/a> Kurosawa’s heroes.<\/em> Arion: A Journal of Humanities and the Classics<\/em>, 2<\/em>, 270-299.<\/p>\n\n\n\n

Giles, Dennis. (1976<\/a>, Fall).<\/a> Angel on fire: Three texts of desire. Velvet Light Trap<\/em>, 16<\/em>, 41-45.
<\/p>\n\n\n\n

Giles, Dennis. (1977).<\/a> Hard times: The lack and the other. Film Reader<\/em>, (2), 85-89.
<\/p>\n\n\n\n

Giles, Dennis. (1977, Spring).<\/a> Show-making. Movie <\/em>(London), 24<\/em>, 14-25.
<\/p>\n\n\n\n

Giles, Dennis. (1978).<\/a> The name \u201cdocumentary\u201d: A preface to genre study. Film Reader<\/em>, (3), 18-23.
<\/p>\n\n\n\n

Giles, Dennis. (1978).<\/a> The ghost of Thalberg: MGM 1946-1951. The Velvet Light Trap<\/em>, 18<\/em>, 8-14.
<\/p>\n\n\n\n

Giles, Dennis. (1979, Spring).<\/a> Book review of The Celluloid Empire: A History of the American Movie Industry<\/em> by Robert Stanley, Cinema Journal<\/em>, 58<\/em>(2), 53-58.
<\/p>\n\n\n\n

Giles, Dennis, & Sahin, Haluk. (1982).<\/a> Y\u00edlmaz G\u00fcney: Revolutionary cinema in Turkey. Jump Cut: A Review of Contemporary Media<\/em>, (27), 35-37.
<\/p>\n\n\n\n

Giles, Dennis. (1983).<\/a> The outdoor economy: A study of the contemporary drive-in. Journal of the University Film and Video Association<\/em>, 35<\/em>(2), 66-76.
<\/p>\n\n\n\n

Giles, Dennis. (1985).<\/a> Television reception. Journal of Film and Video<\/em>, 37<\/em>(3), 12-25.
<\/p>\n\n\n\n

Kraus, Sidney, & Giles, Dennis. (1989).<\/a> Book review of Constructing the Political Spectacle<\/em> by Murray Edelman. Political Psychology<\/em>, 10<\/em>, 517-525.
<\/p>\n\n\n\n

Perloff, Richard M., Neuendorf, Kimberly, Giles, Dennis, Chang, Tsan-Kuo, & Jeffres, Leo W. (1992).<\/a> Perceptions of “Amerika”. Mass Comm Review<\/em>, 19<\/em>(3), 42-48.<\/p>\n\n\n\n

CONFERENCE PAPERS AND PRESENTATIONS<\/strong>
<\/p>\n\n\n\n

Giles, Dennis L. (1971). The end of cinema: Act and language in the films of Jean-Luc Godard<\/em>.
<\/p>\n\n\n\n

Giles, Dennis. (1976, December). Pornographic film: Three texts of desire<\/em>. Paper presented at the International Congr\u00e9s de Psychanalyse, Milan, Italy.
<\/p>\n\n\n\n

Giles, Dennis. (1979). Untitled<\/em> (about treatments of D. W. Griffith). Paper presented as part of a panel on the historiography of film at the 1979 Purdue Film Studies Conference, West Lafayette, IN.
<\/p>\n\n\n\n

Giles, Dennis. (1980).<\/a> The ontological status of fiction in communication: A preface to the study of the Historieta<\/em>. Paper presented at the annual conference of the International Communication Association, Acapulco, Mexico.
<\/p>\n\n\n\n

Giles, Dennis. (1981, May).<\/a> Videophobia, envy and the domestic triangle<\/em>. Paper presented at the Fourth International Congress of Psychoanalysis, New York, NY.
<\/p>\n\n\n\n

Giles, Dennis. (1982, April).<\/a> The drive-in economy: 1946-1981<\/em>. Paper presented at the fifth annual Ohio University Film Conference, Athens, OH.
<\/p>\n\n\n\n

Giles, Dennis. (1982, June).<\/a> The show of love: Some functions of spectacle in the Hollywood musical<\/em>. Paper presented at the annual conference of the Society for Cinema Studies, Los Angeles, CA.
<\/p>\n\n\n\n

Giles, Dennis. (1983). A psychology of the drive-in<\/em>. Lecture at the University of Iowa, Iowa City, IA.
<\/p>\n\n\n\n

Giles, Dennis. (1983, May).<\/a> Conditions of pleasure in horror cinema<\/em>. Paper presented at the annual conference of the Society for Cinema Studies, Pittsburgh, PA.
<\/p>\n\n\n\n

Giles, Dennis. (1985, November). Nature documentary: The cultural use of animal reality<\/em>. Paper presented to the Ohio University Film Conference, Athens, OH.
<\/p>\n\n\n\n

Perloff, Richard M., Chang, Tsan-Kuo, Neuendorf, Kimberly A., Giles, Dennis, Jeffres, Leo, & Lee, Jae-Won. (1987, November).<\/a> The public’s opinion about “Amerika’s” impact on the public<\/em>. Paper presented at the annual meeting of the Midwest Association for Public Opinion Research, Chicago, IL.
<\/p>\n\n\n\n

Neuendorf, Kimberly A., & Giles, Dennis L. (1989).<\/a> Cultural identity and Amerika<\/em>: National imaging and comparative media framing. In Richard Perloff (Ed.), ABC’s “Amerika”: Perception, reception, and effects<\/em> (pp. 19-22). Cleveland, OH: Communication Research Center, Cleveland State University.
<\/p>\n\n\n\n

Jeffres, Leo, Neuendorf, Kimberly, & Giles, Dennis. (1990, November).<\/a> Film genre: Matching audience expectations with critical assessments<\/em>. Paper presented at the annual meeting of the Midwest Association for Public Opinion Research, Chicago, IL.<\/p>\n\n\n\n

OTHER WORKS<\/strong>
<\/p>\n\n\n\n

Giles, Dennis. (1974).<\/a> Hollywood in the fifties: RKO & MGM<\/em>. Paper prepared for History of Film course, Professor Paddy Whannel, Northwestern University, Evanston, IL.
<\/p>\n\n\n\n

Giles, Dennis. (1977).<\/a> The screen: Projection\/protection<\/em>. Proposal for a paper for the International Conference on the Cinematic Apparatus.
<\/p>\n\n\n\n

Giles, Dennis. (1980).<\/a> Revenge and revolution: A study in melodrama<\/em>. Unpublished manuscript, Department of Communication, Cleveland State University, Cleveland, OH.
<\/p>\n\n\n\n

Giles, Dennis. (1988).<\/a> 34 best films (a very personal list)<\/em>. Unpublished list, Cleveland State University, Cleveland, OH.
<\/p>\n\n\n\n

Giles, Dennis. (n.d.).<\/a> Framing, screening, screening-off: The status of fantasy in Dino De Laurentiis\u2019 King Kong<\/em>. Unpublished manuscript, Department of Communication, Cleveland State University, Cleveland, OH.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dennis Giles, Ph.D. DOB June 20, 1944; DOD December 22, 1989Dennis Giles Obituary, 1990 CURRICULUM VITAEAssociate ProfessorDepartment of CommunicationCleveland State UniversityCleveland, OH 44115 EDUCATION1972: M.S., Radio, TV, & Film, University of Texas-Austin1976: Ph.D., Film, Northwestern University (Dissertation: The retrieve: A theory of narrative structure with application to film) BOOK CHAPTERS Giles, Dennis. (1977). Pornographic space:…<\/p>\n","protected":false},"author":38,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"class_list":["post-97","page","type-page","status-publish","hentry"],"featured_image_src":null,"_links":{"self":[{"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/pages\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/comments?post=97"}],"version-history":[{"count":33,"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/pages\/97\/revisions"}],"predecessor-version":[{"id":666,"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/pages\/97\/revisions\/666"}],"wp:attachment":[{"href":"https:\/\/academic.csuohio.edu\/kneuendorf\/wp-json\/wp\/v2\/media?parent=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}