African American spiritual music: A historical perspective. The Dragon Lode
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Crossley, T. (2018). “We shall overcome”: A grounded theory analysis of psychological coping in African-American spirituals (Publication No. 10682597) [Doctoral dissertation, The Chicago School of Professional Psychology]. ProQuest Dissertations and Theses Global. https://search.proquest.com/openview/fedad3055f74e3eb1d5aa2d524b9a38a/1?pq-origsite=gscholar&cbl=18750&diss=y
Hawkins Jr., P. (2017). Scholarly program notes on the graduate vocal recital of Paul Hawkins Jr. [Unpublished master’s thesis]. Southern Illinois University. https://opensiuc.lib.siu.edu/cgi/viewcontent.cgi?referer=https://www.bing.com/&httpsredir=1&article=1958&context=gs_rp
Jackson II, R. L., Johnson, A. L., Hecht, M. L., & Ribeau, S. A. (2019). African American communication: Examining the complexities of lived experiences. Routledge. https://www.amazon.com/African-American-Communication-Routledge/dp/1138478105
Miller, D. L. (2012). Stereotypes of HBCU collegiate choir members towards concert spiritual enthusiasts (Publication No. 3508311) [Doctoral dissertation, Columbia University]. ProQuest Dissertations and Theses Global. https://search.proquest.com/openview/bddc236122827eafcfbb69017bfc8243/1?pq-origsite=gscholar&cbl=18750&diss=y
Ness, C. E. N. (2011). Collecting culture in the ‘imaginary musical museum’: General music textbooks 1971–2005(Publication No 3493592) [Doctoral dissertation, Loyola University Chicago]. ProQuest Dissertations and Theses Global. https://ecommons.luc.edu/cgi/viewcontent.cgi?article=1184&context=luc_diss
Ramaite-Mafadza, P. E. A. (2016). Indigenous protest lyrics in women’s musical performances: Vhavenda women in Vhembe: A case of Vhavenda women in the Vhembe District, Limpopo Province [Unpublished doctoral dissertation].University of Venda.
Rajeev, K. (2024). Musical narratives of freedom: Afro-American spirituals as agents of empowerment and identity. Literary Herald, 9(5), 147-152. tlhjournal.com/uploads/products/23.kavya-rajeev-article.pdf
Ross, H. (2020). The legacy of freedom in the African-American spiritual. Faith Saves. https://faithsaves.net/spirituals/
Schreiner, C. (2022). Kapitel 5 (… 1880–1930 …): Schwarze Künstler auf deutschen Bühnen. In C. Schreiner, Schöner fremder Klang – Wie exotische Musik nach Deutschland kam (pp. 125–152). J.B. Metzler. https://doi.org/10.1007/978-3-476-05695-5_6